"...it lacks something." says the future Ken Keisler look atype in the beatnick cafe scenes that open BLOOD BATH.
Who himself is now importing [smuggling] Russian made art framing materials into America in his far out San Francisco scene; last I heard.
When in the time frame of the 1964 film, so called "dead red nudes" were all the rage.
In other words, when the red states of America would replace the Russian red scare of the 1960s.
And suddenly from out of nowhere, Putin becomes this big time, behind the scenes, Reaganite supporter.
And the mad artists in Manhattan long for the nostalgic days when Joseph McCarthy and Edger Hoover were all the rage.
Gregory Scott Relf's
TWO WITNESSES NEWSLETTER
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