THE WHITE SHEIK was Orson Welles' favorite Fellini movie because the good guys in the BM are always as white as a fresh winter snow in Park City, Utah.
Alas, the movie trailer's black&white soap opera magazine still shots of the white horse's sword of justice hanging over the heads of an unrepentant gentile Congress in 3 NEPHI 20:20.
Not to mention the unrepentant mormon church in DC 86.
The 1952 film's latest wiki page date-stamp bearing down on the deep state of Sodom and Egypt with a 9.11 warning sign.
Don't mess with Texas.
Gregory Scott Relf's
TWO WITNESSES NEWSLETTER
PS KEIRA KNIGHTLEY: When I was the young mormon missionary ambassador to the Vatican in ROMA meets ROMAN HOLIDAY, glossy soap opera magazines were still very popular; if a bit more risque; remind you this was 1973, not 1956.
Does today's popular "super spreader" expression mean anything to you?
PS SANDRA BULLOCK: Seems like every other movie or tv series they make these days, designed to destroy me, always turns back around on them; circa 3 NEPHI 20:28, etc. etc.
For some kind of a never ending fatalistic theme about the election crimes that would be committed by the sneaky Jews in 2020.
PS MEL BROOKS: After the sudden and unexpected falling down of 666 Covidism, we plan on buying up several of the biggest movie theater chains across America at ten cents on the dollar. Expect to see lots of wet tongue French kissing and fooling around up in the balcony seats in Edmonds, Washington.
"Once you get it, you got it." Andy Warhol, 1969.
PS CHRIS WOOD: BROKEN FLOWERS was one of those devastating small films that was supposed to finish me off back in the day. But instead, it turned out to be about Miley Cyrus getting turned on by me and having a no.1 rock album and a magazine cover on ROLLING STONE in 2020.
"I thought BROKEN FLOWERS would be my last film. But instead it was the beginning of a new second acting career for me." Bill Murray
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